马达加斯加2,I Like To Move It歌词

Encore

Thank you, thank you, thank you

谢谢你，谢谢你，谢谢你。

You’re far too kind

你太善良了

Haha

Uh, yeah

Ready

准备好了吗？

Let’s go

让我们开始

Can I get a encore/do you want more

我可以再来一次吗？你是否想要更多？

Cookin’ raw with the Brooklyn boy

与布鲁克林的男孩一起加工

So, for one last time, I need y’all to roar

所以，最后一次，我需要用尽全力咆啸

Now, what the hell are you waiting for

现在,你在等待什么样的地狱

After me, there shall be no more

在我之后，再也没有

So, for one last time, nigga, make some noise

所以，最后一次，Nigga，制造些噪音吧

Get ‘em, Jay

准备，Jay

Who you know fresher than Hov/riddle me that

The rest of y’all know where I’m lyrically at

Can’t none of y’all mirror me back

Yeah/hearin’ me rap is like hearin’ G Rap in his prime

I’m young HO/rap’s Grateful Dead

Back to take over the globe/now break bread

I’m in Boeing Jets/Global Express

Out the country but the blueberry still connect

On the low but the yacht got a triple deck

But when you young/what the fuck you expect (yep, yep)

Grand openin’/grand closin’

God, you’re man Hov cracked the can open again

Who you gon’ find doper than him with no pen

Just draw off inspiration

Soon you gon’ see you can’t replace him (him)

With cheap imitations for these generations

Can I get a encore/do you want more

Cookin’ raw with the Brooklyn boy

So, for one last time, I need y’all to roar

Now, what the hell are you waiting for

After me, there shall be no more

So, for one last time, nigga, make some noise

What the hell are you waiting for

Look what you made me do/look what I made for you

Knew if I paid my dues/how will they pay you

When you first come in the game/they try to play you

Then you drop a couple of hits/look how they wave to you

From Marcy to Madison Square

To the only thing that matters in just a matter of years (yeah)

As fate would have it/Jay’s status appears

To be at an all-time high/perfect time to say goodbye

When I come back like Jordan/wearin’ the four-five

It ain’t to play games with you

It’s to aim at you/probably maim you

If I owe you/I’ll blow you to smithereens

Cocksucka’/take one for your team

And I need you to remember one thing (one thing)

I came/I saw/I conquered

From record sales to sold-out concerts

So mo’fucka’/if you want this encore

I need you to scream ‘til your lungs get sore

I’m tired of being what you want me to be

Feeling so faithless

Lost under the surface

Don’t know what you’re expecting of me

Put under the pressure

Of walking in your shoes

Caught in the undertow/we’re just caught in the undertow

Every step that I take is another mistake to you

Caught in the undertow/we’re just caught in the undertow

And every second I waste is more than I can take

I’ve become so numb

I can’t feel you there

Become so tired

So much more aware

I’m becoming this

All I want to do

Is be more like me

And be less like you

I’ve become so numb

Can I get a encore/do you want more (more)

I’ve become so numb

So, for one last time, I need y’all to roar

One last time, I need y’all to roar

My 1st Single

Ohh!

Yeah!

So much for first single on this one

[Verse 1]

Shady’s the lable

Aftermath is the stable

That the horses come out erra

Of course we’re about to stir up

Some shit Mix water with syrup

It’s the mr picked on Christopher Reeves

Just for no reason other than the just to tease him

Cause he was as big as He used to be Superman

Now we’re pourin liquor on the crib in his name for him

Eminem you wait till’ we meet up again

Fucker I’m kickin your ass for everything you’ve ever said

It’s one for the money two for the fuckin show

Ready get set， let’s go

Here comes the stompin and stampedin up the damn street

Like them buffalo soldiers， I told ya I’m bout’ to blow

So look out below， geronimo， motherfuckers is dominos

I’m on a roll， around and around I go

When will I stop I don’t know

Tryna pick up where the Eminem Show left off

But I know anything’s possible

Though I’m not gonna top what I sold

I’m at the top of my game

That shit is not gonna change

Long as I got Dr Dre on my team

I’ll get away with murder

I’m Michael J he’s like my cock from the day

We keep the mark from the tapes

In a safe， locked them away

Better watch what you say

Just when you thought you were safe

Them fuckers got you on tape

You swear to god you was playin

Whether or not you was little Joshua

Gosh I wish I coulda told you to not do the same

Cause one day it could cost you your name

[chorus]

And this was supposed to be my first single

But I just fucked that up so，

Fuck it， let’s all have fun let’s mingle

Slap a bitch and smack a ho

This was supposed to be my catchy little jingle

That you hear on your radio

But shit’s about to hit the shingle

Oh Oh Oh Oh Oh Oh No

erra Oh Ah

erra Oh Ah

erra Oh Ah

erra Oh Oh Ah Ah

Oh Ah Oh Ah

Oh Ah Oh Ah

Poo Poo Ca Ca

[Verse 2]

Erra Erra Eric swallowed some generic sleeping pills

And woke up in bed next to his best friend Derick bare naked

chicka chicka chicka

And then just turned 16 and used a fake id

To sneak in VIP to see R Kelly

Hehehehehe， to be so young and naive

Oh what I wouldn’t give to live so Kim and care free

Paris and Nikki’s parents must be so tickled to cherish

Every picture with their kids with hickeys all over their necks

Hickory Dickory derr digga

Look at me work wizardry with these words

Am I a jerk or just jerk chicken

Or Chicka chicka chicka chicka jer jer jerkin the chain

22 jerks and a jerk circle

Or is it a circle jerk or wait a minute

What am I sayin， allow me to run it back and rewind it

rrrbb lemme ask you again

Am I just jerkin the chain

Am I bizerk or insane

Or am I just one of them damn amateurs

Workin the damn camera filmin one of them

Paris Hilton home made pornos

Who keeps tiltin the lens at an angle

Chicka Chicka

Just recently somebody just discovered

Britney and Justin videotapes of them fuckin

When they were just mouseketeers in the Mickey Mouse club

And dusted them and went straight to The Source with them

Cause they coulda sworn someone said Nuh-

And then tried to erase and record over it

But if you listen close enough to it you can hear the

Uh Uh and then the come-to-find-out-it-was-Justin

Sayin ’I’m done-uh!’

Come on this was

[chorus]

supposed to be my first single

But I just fucked that up so，

Fuck it， let’s all have fun let’s mingle

Slap a bitch and smack a ho

This was supposed to be my catchy little jingle

That you hear on your radio

But shit’s about to hit the shingle

Oh Oh Oh Oh Oh Oh No

erra Oh Ah

erra Oh Ah

erra Oh Ah

erra Oh Oh Ah Ah

Oh Ah Oh Ah

Oh Ah Oh Ah

Poo Poo Ca Ca

[Verse 3]

Any opinions or somethin you just wanna get off your chest

And address it about my lyrics I’d love to hear it

All you gotta do is pick up the phone and just dial up this number

It’s 1-800-I’m a dick sucker I love to suck a dick

And if someone picks up you can talk all the shit you want about me

Just type in your number back and follow it by the pound key

And I’ll be sure to get back

As soon as there comes a day that I fall out with Dre

Wake up gay， make up with Ray （Hey!）

So fuck a chicken， lick a chicken， suck a chicken，

Beat a chicken， eat a chicken like it’s a big cock（） bawka-bi-kaw

Or suck a dick， and lick a dick and eat a dick

And stick a dick in your mouth

I’m done you can fuck off

fucka-fucka-fuck offf!

[chorus]

And this was supposed to be my first single

But I just fucked that up so，

Fuck it， let’s all have fun let’s mingle

Slap a bitch and smack a ho

This was supposed to be my catchy little jingle

That you hear on your radio

But shit’s about to hit the shingle

Oh Oh Oh Oh Oh Oh No

erra Oh Ah

erra Oh Ah

erra Oh Ah

erra Oh Oh Ah Ah

Oh Ah Oh Ah

Oh Ah Oh Ah

Poo Poo Ca Ca

Yellow Brick Road

[Intro]

What we have to do is deal with it when these idividuals are young enough If you wish to be

saved， not in a religious sense but not to constitute what this country at times calls if or

which over We seem to be approaching an age of the gross We all have this idea that we should

move up from our parents station and each generation should do a little bit better

[Verse 1- Eminem]

Come on， let’s cut the bullshit enough

Let’s get it started， let’s start addressing this issue and open it up

Let’s take this shit back to bassmint

And we can disscuss statements thats made on this tape

And its whole origin of the music that we all know and love

The music that we all enjoy the music you all accuse me of tryna destroy

Let’s rewind it to 89 when I was a boy on the east side of Detroit

Crossin 8 Mile in the border in the hate territory

I’d like to share a story， this is my story and cant no body tell it for me

You will well inform me， I am well aware that I don’t belong here

You’ve made that perfectly clear， I get my ass kicked damn near everywhere

>From Bel-Air shopping center just for stopping in there

>From the black side all the way to the white side

Okay there’s a bright side a day that I might slide

You may call it a past I call it haulin my ass

Through that patch of grass over them railroad tracks

Oh them railroad tracks， them old railroad tracks

Them good old notorious oh well known tracks

[Chorus x2]

Come on lets go back

Follow the yellow brick road as we go on another episode

Journey with me as I take you through this nifty little place

I once used to call home sweet home

[Verse 2- Eminem]

I roam the streets so much they call me a drifter

Sometimes I stick up a thumb just to hitch hike

Just to get picked up to get me a lift to 8 mile and van dike

And steal a god damn bike from somebody’s backyard

And drop it off at the park that was the half way mark

To meet Kim had to walk back to her mama’s them dramas after dark

To sneak me in the house when I’m kicked out my mom’s

Thats about the time I first met Proof when poof he’d carry on the set

Set eyes born in and out some flyers， he was doin some talent shows

At center line， I had told him to stop by and check this out sometime

He looked at me like I’m out my mind shook his head like white boys dont know how to rhyme

I spit out a line and rhymed birthday with first place

And we both had the same rhymes that sound alike

We was on the same shit that Big Daddy Kane shit with compound syllables sound combined

From that day we was down to ride somehow we knew we’d meet again somewhere down the line

[Chorus x2]

Come on lets go back

Follow the yellow brick road as we go on another episode

Journey with me as I take you through this nifty little place

I once used to call home sweet home

[Verse 3- Eminem]

My first year in 9th grade， can’t forget that day at school

It was cool till your man MC Sham came through

And said that Boom was the brain cuz the clan makes troops

It was rumors but man god damned they flew

Musta been true because man we done banned they shoes

I had the new ones the Cool J， Ice land swayed too

And we just through them in the trash like they yesterday’s news

Guess who came through next， X clam debut

Professor X and glorious exists in a state of red， black， and green

With a key sissies now with this bein a new trend

We don’t fit in crackas is out with Cactus albums

Blackness is in， African symbols and medallions

Represents black power and we ain’t know what it meant

Me and my man Howard and would go to the mall with ’em

All over our necks like we’re showin ’em off not knowin at all

We was bein laughed at you ain’t even half black

You ain’t supposed to have that homie let me grab that

And that Flavor Flave clock we gon’ have to snatch that

All I remember is meetin back at Manix’s basement

Sayin how we hate this， our races wit dope the x clan take this

Which reminds me back in 89 me and Kim broke up for the first time

She was tryna two time me and there was this black girl

At our school who thought I was cool cuz I rapped so she was kinda eyein me

And oh the irony guess what her name was ain’t even gon’ say it plus

The same color hair as hers was and blue contacts and a pair of jugs

The bombest god damn girl in our whole school if I could pull it

Not only would I become more popular but I would be able to piss Kim off at the same time

But it backfired I was supposed to dump her but she dumped me for this black guy

And thats the last I ever seen or heard or spoke to the oh foolish pride girl

But I’ve heard people say they heard the tape and it ain’t that bad

But it was I singled out a whole race and for that apologize

I was wrong cuz no matter what color a girl is she still a （bitch）

[Chorus x2]

Come on lets go back

Follow the yellow brick road as we go on another episode

Journey with me as I take you through this nifty little place

I once used to call home sweet home

专辑的背景介绍

说唱天王Eminem又开炮了！在经过了2002年的自传**以及2003年的力推新人之后，2004年Eminem重新回到了自己的说唱事业上，年初推出乐团专辑《D12 World》之后，Eminem的第四张个人专辑《Encore》终于千呼万唤始出来。这张专辑如同前作《The Eminem Show》一样为了防范盗版商而改在周五发行，但是仅仅三天，这张专辑的销量就突破71万1千张，不可阻挡的占据了Billboard 200排行榜的冠军宝座，再次证明了他当代说唱王者的实力。

《Encore》出笼，难免又要有一些人成为Eminem口中挖苦的对象，这些人或诚惶诚恐或怒不可遏，上到美国总统布什，下到纽约街头耍嘴皮卖艺的，近如邻门说唱同行，远至阿富汗不为人知的山洞，概莫能外。简单汇总一下，这次有幸入Eminem尊口的各界名流有：总统布什为首的油滑美国政客，身处水火之中的Michael Jackson，已故超人扮演者Christopher Reeves，还有Hillary Duff, Lindsay Lohan之辈的当红玉女优伶。

正如这张专辑的封面和名字一样，这是所谓《The Eminem Show》的一个延续。但是实际上这张专辑却没有他的前作那么出色，原因有一点，Eminem变了。虽然方式上没什么变化，但是变在了细微之处。也许是年岁增大的缘故，Eminem稍显“底气不济”了，专辑里不少的歌没有以前的那么肆无忌惮的叫嚣，更多的歌曲甚至声音有些低暗。不是没有原因的，在这张专辑里除了一些攻击性的歌曲之外，Eminem失去了本色，只是和许多平庸之辈一样说些无关痛痒的笑话，尽管有些同样出色，但是和泛泛之辈相似就是Eminem的下滑。同时这张专辑较以往也更加的Eminem个人化，专辑中还有一些给她的女儿的歌曲，人性之处固然值得称道，但作为这张专辑来说，套用国内的流行语讲就是从“愤青”向“小资”蜕变……

专辑中的单曲方式和套路主要承袭了《The Eminem Show》，内容虽然比以前有趣了，但只是略显硬性不足。有时声音的黯淡也并非技术问题所致，因为专辑的制作组依然是由老大Dr Dre领班，Eminem也继续身兼制作人。嘉宾也包括了Eminem近年力捧的两位小弟50 Cent与Obie Trice，以及D-12乐团的同僚，师傅Dr Dre也献声专辑同名单曲。虽然有些方面弱化了Eminem的硬核，但是还是有《Just Lose It》《Encore》这样出色的作品，《Just Lose It》也是这张专辑的首要主打单曲，这首针对Michael Jackson的作品怎能不是专辑亮点之一。仁者见仁智者见智，《Like Toy Soldiers》将会给这张专辑带来一些讨论的话题。在涉及超人扮演者Christopher Reeves的《Rain Man》中，Eminem说道“I killed Superman……”，还言称自己新名字就是达斯汀·霍夫曼扮演而著名的弱智名字“Rain Man”。至于《Big Weenie》之类的作品就有凑数之嫌，存在简直是有损Eminem的形象，皮皮塌塌的，节奏内容都不符合Eminem惯有的硬派风格。颇值得关注的讽刺歌曲还有关于Hillary Duff等当红明星的《Ass Like That》。当然，这张专辑里还有《Spend Some Time》《One Shot 2 Shot》之类颇有实力的歌曲。除了20首专辑正装单曲之外，附赠的三首歌曲倒是都非常优秀。

如果是一个因为Eminem的硬核而喜欢他的歌迷很可能会有些失望，但是不影响这张专辑一些单曲仍是他们的最爱。Eminem在这张专辑里稍有服软，可毕竟大多数的作品还是很有冲击力的，只是有了较多耍滑头的单曲而已。比Eminem早年的强势专辑弱化不少，只能说是Eminem一张合格的专辑。如果是一个喜欢Eminem个人的歌迷来说，这张专辑仍然是典藏级的作品，因为其中包含了一些对Eminem早年生活和女儿的片断。对于这张专辑，既可以理解为Eminem的成熟，也可以认为他音乐的转向。

几乎肯定有人会片面的认为《Encore》里看不出Eminem有什么新的突破，只是以往套路的翻新，但是Eminem依然能够这样淋漓尽致的嘲笑并且能够边骂边说甚至让人忍俊不禁，歌词，语速，主题，如今的说唱艺人虽多，此等层次的歌手又有几人能望Eminem之项背？不过话说回来，以目前Eminem的人气和地位，这样的一张专辑当然可以轻易成为说唱歌迷顶礼膜拜的对象，可如果今后Eminem就此停滞不前的话，新人辈出的流行歌坛发生什么事都不好说。所谓不进则退，《Encore》虽然尚可，但是Eminem还应该尝试新的突破，坚持自己强硬的风格，让这张专辑里柔弱的部分消失，他可以做得更好。(CatCobain）

Waka Waka (This Time For Africa) 哇咔哇咔（非洲时刻）

歌手：Shakira

You're a good soldier

你是一个好士兵

Choosing your battles

在你选择的战场

Pick yourself up

站起来

And dust yourself off

掸净灰尘

And back in the saddle

重新上路

You're on the frontline

你正在前线

Everyone's watching

人人都在关注

You know it's serious

你了解情况危急

We're getting closer

我们越来越团结

This isn’t over

现在还没有结束

The pressure is on

压力已经到来

You feel it

你感受到了

But you've got it all

但是你已经获得这一切

Believe it

相信吧

When you fall get up

当你跌倒 爬起来

Oh oh

哦 哦

And if you fall get up

如果你跌倒 爬起来

Eh eh

诶 诶

Tsamina mina

Zangalewa

Cuz this is Africa

Tsamina mina eh eh

Waka Waka eh eh

Tsamina mina zangalewa

This time for Africa

这是属于非洲的时刻

Listen to your god

请听从你的信仰

This is our motto

这是我们的格言

Your time to shine

你发光的时刻

Don‘t wait in line

不要在队伍里等待

Y vamos por Todo

People are raising

人们在呼喊

Their Expectations

他们的期望

Go on and feed them

继续走去满足他们

This is your moment

现在是你的时刻

No hesitation

不要犹豫

Today's your day

今天是你的节日

I feel it

我感觉得到

You paved the way

是你铺平了道路

Believe it

相信吧

If you get down

如果你跌倒

Get up oh oh

再起来 哦 哦

When you get down

当你跌倒了

Get up eh eh

再起来 诶 诶

Tsamina mina zangalewa

This time for Africa

Tsamina mina eh eh

Waka Waka eh eh

Tsamina mina zangalewa

Anawa aa

Tsamina mina eh eh

Waka Waka eh eh

Tsamina mina zangalewa

This time for Africa

Tsamina mina eh eh

Waka Waka eh eh

Tsamina mina zangalewa

Anawa aa

Tsamina mina eh eh

Waka Waka eh eh

Tsamina mina zangalewa

This time for Africa

Tsamina mina zangalewa

Anawa aa

Tsamina mina zangalewa

Anawa aa

This time for Africa

This time for Africa

Wavin' Flag

飘扬的旗帜

Give me freedom, give me fire, give me reason, take me higher

给我信仰，给我激情，给我目标，让我飞的更高

See the champions, take the field now, unify us, make us feel proud

看到大力神杯了么，还不立刻踏上绿茵场!，让我们团结在一起去赢得荣耀!

In the streets our hands are lifting, as we lose our inhibition

让我们在街上挥舞双手，甩掉所有无谓的束缚

Celebration, it surrounds us, every nation, all around us

让欢乐萦绕在我们身边，这里没有国籍，只有欢乐

Singing forever young, singing songs underneath the sun

为永远年轻的心歌唱，在那骄阳下高歌

Let's rejoice in the beautiful game, and together at the end of the day

让我们为漂亮的比赛而欢呼，相聚在一起直到每一天结束

We all say

让我们一起唱出真我风采

When I get older, I will be stronger

当我慢慢地长大，我会变得越来越强

They'll call me freedom, just like a waving flag

他们将称赞我的信仰，就像就像那飘扬的旗帜

So wave your flag

现在起就扬起你的旗帜

Now wave your flag

那就扬起你的旗帜吧！

Oooooooooooooh wooooooooooh!

Give you freedom, give you fire, give you reason, take you higher

给你自由，给你激情，给你目标，也让你飞的更高

See the champions, take the field now, unify us, make us feel proud

看到大力神杯了么，还不立刻踏上绿茵场!，让我们团结在一起去赢得荣耀!

In the streets our hands are lifting, as we lose our inhibition

让我们在街上挥舞双手，甩掉所有无谓的束缚

Celebration, it surrounds us, every nation, all around us

让欢乐萦绕在我们身边，这里没有国籍，只有欢乐

Singing forever young, singing songs underneath the sun

为永远年轻的心而歌唱，在那骄阳下高歌

Let's rejoice in the beautiful game, and together at the end of the day

让我们为漂亮的比赛而欢呼，相聚在一起直到每一天结束

We all say

让我们一起唱出真我风采

When I get older, I will be stronger

当我慢慢地长大，我会变得越来越强

They'll call me freedom, just like a waving flag

他们将称赞我的信仰，就像就像那飘扬的旗帜

So wave your flag

现在起就扬起你的旗帜

Now wave your flag

那就扬起你的旗帜吧！

When I get older, I will be stronger

当我慢慢地长大，我会变得越来越强

They'll call me freedom, just like a waving flag

他们将称赞我的自由，就像就像那飘扬的旗帜

So wave your flag 现在起就扬起你的旗帜

Now wave your flag

那就扬起你的旗帜吧！

Oooooooooooooh wooooooooooh!

And then it goes (2x)

Oooooooooooooh wooooooooooh!

And everybody will be singing it

让大家都来歌唱

Oooooooooooooh wooooooooooh!

And we all will be singing it

让大家都来歌唱

歌名：《I Like To Move It》

歌手：Trinidad and Tobago

所属专辑：《Madagascar (Motion Picture Soundtrack)》

发行时间：1994年

歌词：

I like to move it, move it!

I like to move it, move it!

I like to move it, move it!

Ya like to (“Move it”!)

All girls all over the world,

original King Julien pon ya case man!

I love how all the girls are move their body,

and when ya move ya body, and move it,

nice and sweet and sexy, alright!

Woman ya cute, and you don't need no make up,

original cute body you a mek man mud up

Woman ya cute, and you don't need no make up,

original cute body you a mek man mud up

Woman! Physically fit, physically fit,

physically, physically, physically fit

Woman! Physically fit, physically fit,

physically, physically, physically fit

Woman! Ya nice, sweet, fantastic

Big ship on de ocean that a big titanic

Woman! Ya nice, sweet energetic

Big ship on de ocean that a big titanic

Woman! Ya nice, sweet, fantastic

Big ship on de ocean that a big titanic

Woman! Ya nice, sweet, fantastic

Big ship on de ocean that a big titanic

Women!

I like to move it, move it!

I like to move it, move it!

I like to move it, move it!

Ya like to (“Move it”!)

I like to move it, move it!

I like to move it, move it!

I like to move it, move it!

Ya like to (“Move it”!)

Woman ya cute, and you don't need no make up,

original cute body you a mek man mud up

Woman ya cute, and you don't need no make up,

original cute body you a mek man mud up

Eye liner - pon ya face a mek man mud up

Nose powder - pon ya face a mek man mud up

Pluck ya eyebrow - pon ya face a mek man mud up

Gal ya lipstick - pon ya face a mek man mud up

Woman ya nice broad face,

and ya nice hip, make man flip and bust them lip

Woman ya nice an energetic,

big ship pon de ocean that a big titanic

Woman ya nice broad face,

and ya nice hip, make man flip and bust them lip

Woman ya nice and energetic,

big ship pon de ocean that a big titanic

WOAH!

BOP!

WOAH!

BOP!

WOAH!

BOP!

WOAH!

BOP!

I like to move it, move it!

He likes to move it, move it!

She likes to move it, move it!

You like to (“Move it”!)

We like to move it, move it!

You like to move it, move it!

I like … Oh I Did I! Have I done I Did I do I like to

I think I did I like… We What about we They They I did they

Oh I got it, I got it I got a new one I got a new one… Them

No, not them… Can I say them or not

Them like to move it, mov I'm gonna say them!

Them like to move, it move it!

We like to move, it move it!

Umm… wait there’s gotta be another one We We Nope… Oh us!

Can we do us like to

Us like to move it, move it!

That’s the one!

Us like to move it, move it!

Us like to move it, move it!

Us like to (“Move it”!)

Move iiit! Move iiiiit… Move it! Move it! Move it! Move it!

Okay then, while you are here,

I just wanna tell you a little story, it’s an old story

that my daddy used to tell me he was a king as my

I was born, probably about 68 years ago over by

that tree over there YEH!

And I remember things changed a lot in those days, in Madagascar

It wasn’t so commercial, you know,

there wasn’t all about money and who’s got the latest tree

and what leaves

are you wearing and who’s got

the latest fur on their back, you know

Those days it was just me and a couple of the others, you know

Doing the jungle boogie you know,

Jungle boogie Jungle boogie

WOAH WOAH WOAH WOAH WOAH WOAH WOAH

Move it!

You really think this is never gonna end, coz it is… 3,2,1

Not bad eh I like it

《I Like to Move It》是**《马达加斯加2》的主题曲，是Reel 2 Real(Erick Morillo)在1994年发行的单曲。Trinidad and Tobago主唱，饶舌部份则由The Mad Stuntman (Mark Quashie)演唱，ragga客串。这首歌最早在1994年载于Billboard Hot 100。

水色的旋律（中文歌词）

我的心中 有像彩虹缤纷旋律

回忆永不会消失

属於我们 那永远蔚蓝的大海

虽然不会再存在

看那里 幸福就在那不远之处

在心中 有雀跃旋律不停演奏

看这水蓝色美丽的旋律

你看闪闪发光照亮黑暗的夜空

在最后的波浪声音中消失时刻前

好好地看著我

拥抱我一直到永远

我最喜欢你最重要的人

所以藏著无法对你说明白的话

无法对你传递的心就要让你知道

温暖你那颗心唱出诗篇

就像天使 翩翩起舞降落人间

阳光照亮我的心

属于我们 那昨天美丽的回忆

虽然不会再存在

我飞向 最初的 波浪一样的美

向那里 要去追 闪亮的那旋律

看着水蓝色 美丽的回忆

你看眼泪都要 被吹落在那风中

我心中的这波浪声音绝不要消失

收藏美好回忆 就让它一直到永远

就像是晴天 午后的小雨

有时也会感到 悲伤心中没有光

但我不会就认输放弃永恒希望

唱出我们的水色旋律

看这水蓝色美丽的旋律

你看闪闪发光照亮黑暗的夜空

在最后的波浪声音中消失时刻前

好好地看著我

拥抱我一直到永远

我最喜欢你最重要的人

所以藏著无法对你说明白的话

无法对你传递的心就要让你知道

温暖你那颗心唱出诗篇

Beautiful wish 应该是BIRTH OF星罗，吧（中文歌词）

我的爱已和梦

紧紧地合为一

将心中的悲伤

化成繁星到天际

所以要一直坚定相信

诞生在这世界

感觉是荣耀的

如闪烁的亮光

天使一般的眼神

请不要让它又变得黯淡失望

如果这力量

是为那了梦想

能够被释放

我希望让它可以完全

完全地变成为爱

一直都在身边

注视我的身影

带给我不恐惧

启程远行的勇气

闪亮又耀眼直到无限

是为了来照亮

那黑暗的银河

用生命的能量

与生俱来的光芒

传达著如此不凡的生命意义

如果这力量

是为了这份爱

能够被发射

连结到未来的地图上

可以去改变 明天

如果这力量

是为那了梦想

能够被释放

我希望让它可以完全

完全地变成为爱

这是Birth of love

在远处听见有声音呼唤著

轻轻叫醒睡梦中的我 摇曳在蓝色的波浪中

睡在海洋的摇篮里 在那里做一个梦

好像在海洋的某一个角落 听见稀疏争吵的声音

哭泣的心沉睡在梦中 爱无法在海里重生

留下的只有那些 永无止尽的悲伤

绚烂美丽的那海洋 愿望的碎片中要诞生

新的生命不会消失 拥抱最耀眼的光

夕阳染红的海洋上 平静的看不到那波浪

世界的 眼泪就要沉睡在梦中

在即将诞生的世界 呼唤著

轻轻叫醒睡梦中的我 沉睡在深邃的海底里

我听见遥远的声音 不管有多黑暗 在痛苦我都不怕

绚烂美丽的那海洋 愿望的碎片中要诞生

新的生命不会消失 越过黑暗的世界

最初的阳光在风中 把海洋染上一片紫光

我的愿望 就要实现溶化在海中

有一天悲伤种子 争吵不停的话语 全部都会在消失

期待那一天来临 唱出我们那首爱之歌 就让他流传在蓝色的海中

是谁用温柔的声音 轻轻呼唤我没有放弃 就好像知道我心中 有著最真的愿望

绚烂美丽的那海洋 愿望的碎片中要诞生

新的生命不会消失 拥抱最耀眼的光

夕阳染红的海洋上 平静的看不到那波浪

世界的 眼泪就要沉睡在梦中

）恋爱是什么

露亚自己唱的

这时候 我心中

无法控制胡乱窜动为什麼

在胸口像把火

紧张的手足无措

红红的脸低头

说不出理由

我从没这样过

一旦要开始唱歌停不下来

一旦要开始跳舞停不下来

喜欢太快 付出太快

对你的心意 我也收不回来

爱上你 关於彻底爱你的秘密

不小心 不相信 感觉好像**

大海里 浪花轻轻歌颂我的心情

能不能感应 想快递给你 我的心

这时候 我心中

满满心事想要告诉你为什麼

我胸口的跳动

好像无数的变化球 别说你还不懂

世界闹哄哄

我会一直守候

一旦要开始沉默停不下来

别再狠心让我继续等待

我好期待 我好无奈

在我梦里的你比较可爱

爱上你 一直是最公开的秘密

太轻易 太彻底

有谁为我证明

大海里 浪花用力传达我的心情

能不能感应 想快递给你

我的心

）Ever blue

波音自己个人唱的歌

回忆 那麼遥远 沉默 怎麼面对

凝视 慢慢改变 如果能唤回从前

也许 你和我 能改变 所有的离别

忽然 感到伤悲 也许我的心碎

隔著 美丽海洋 传到另一边

七色海面 每个人都有属於自己的伤悲

能不能远离这一切 救救我 就算我 早已经深陷

就当一切都没走远 这一切 都没有改变

这就是 Ever blue 我的最爱 始终闪亮温暖著 那片海

有种微笑 的光采 守护著我勇敢走向未来

我只能永远守著我的爱 像永远守住这片蓝色海

这种单纯 的可爱 除了你没有人能更替代 和我走向未来

坐著 手握著手 靠著 肩并著肩

就是那道彩虹 诉说我的等候

也许 在梦中 你从来就没离开过

我已坠入情网 我已编织梦想 我已慢慢长大 也慢慢坚强

关於坚强 这表示我还得慢慢学习成长

有谁能让时间倒转 回到那一段 充满笑的时光

是什麼声音在回汤 是旋律 在心中滋长

我看见 Ever friend 我的最爱 值得我用一生 用心去爱

有种甜美 的等待 守著我 即使再大的伤害

这就是 Ever blue 孤单不再 你和我爱的天堂 七色海

即使星光 也明白 除了你 没有人能够阻碍 为你守护未来

）jewel star

莉娜独唱

趁著流星闪耀许下美丽的愿望

我将找寻出那七道真珠的光芒

即使分隔遥远无法掩饰

相信命运冥冥中牵引著我

到相遇的地方

眼中的泪飞进了大海 选择消失还是离开

无声无息随蓝色忧郁的浪花

变成泡沫变成空气被融化

周而复始寻找失落的梦想

坏心情还包围著我

如果唱歌可以让我变得勇敢

即使被大雨包围 song for you

如果可以迎接一个重生的早晨

我会用同样的热情来面对生命

邂逅或者相逢奇迹让勇气激动

相信我终将会成为jewel star

散发爱的光芒

）return to the sea

沙罗的歌曲

童话里的美丽的温馨 写成诗写成谜

男和女的结局 最后窜改成悲剧

还有爱还相信还曾经是唯一 像城堡在推积虚幻的崩解真心

如果梦还坚定我确定不回忆 不沉醉像背影 孤独毫无表情 不想看见你的眼睛

我只想认认真真安安静静 沙滩上的脚印没出席在日记 没现在没过去没未来

天空没出现星星 像眼泪像水滴像珍珠像自己 想珍惜想忘记别想左右我情绪

哀与愁悲与喜 忘不了那旋律在心底还涌起 还像浪花四起 要让快乐回到过去

那片海为我还保留甜蜜 就像爱 就像童话充满力量 带给你温暖 释放那些时光

自由能让快乐被解放 沮丧 让它飘散 就只在乎无限的延长梦想

像宝石在闪耀 像太阳在微笑 像眼泪在咆哮像真心全被刻意的套牢

坏不坏好不好 事与非在颠倒 是谎言在燃烧 用伤口划道记号

用微笑去探照 用承诺去寻找 而年少剩多少 黎明只在破晓

幸福只浮现在嘴角 想完成就该不停的奔跑 就像爱 向前出发

迷失方向 不感到害怕 释放 才能成长 懦弱围绕 何时才能到达

期望 只是理想 虽然 我还像以前那麼的傻

一切结束后决定放手 月光的温柔在我心中

是不是梦是不是风 还向往自由

白云和天空温度相同 有一道彩虹无影无踪

回忆拼凑光亮清透 能不能这样放手

我说编织幸福梦沉醉在其中 好多快乐在雨中

我们两个十指相扣 我说一起迎著风 为你覆颂承诺

挥动快乐抱著我 这样的深刻

像清晨的微风我会继续等…………候

第二部片头曲

比爱还要更深厚的友情

诞生在那美丽的七大海洋

你的愿望不管有多麼艰难

我一定坚持 努力到底永不认输

(间奏)

看那新生命来临的时刻

有一颗小星星闪耀的远方

对黑暗的夜晚在黎明前

曙光照亮 你应该知道

满天星空 闪耀灿烂

把他送给七大海洋

你只要认得旅途路上

照亮我们 向目标前去不畏艰难

比爱还要更深厚的友情

给我力量向前方勇敢迈进

看那蔚蓝天空和辽阔大海

连成一线 像星空的故事

相信自己与生俱来的坚强

一定可以坚持到最后一刻

不要害怕我一直在你身旁

真情不变与你一起直到永远

Bless!StarryTonight!

可爱的女孩～

如果梦 能飘在水景色的天空

粉粉的花朵 代表甜美的笑容

大雨后 就能看见七彩的彩虹

心痛的魔咒 因为你消失无踪

善恶的争夺 真爱的意义在微笑里闪烁

一瞬间 一片刻 泪水都出走

我还在依赖 想当个小女孩

时间走的太快 我还并不想面对未来

相爱时的等待 结局不会更改

把手放开 想和你遨游在大海

（下半段）

我可以 不顾一切的为你执著

摇摆的节奏 代表心为了你鼓动

现实中 太多的诱惑嘲笑著我

我并不想懂 因为你让我感动

疲倦的时候 深情的双眸 沉静纷乱哀愁

一个笑 一个吻 烟火绽放著

我还在依赖 想当个小女孩

想被你拥入怀 有满满的爱可以耍赖

相爱有多精采 让我体验真爱

当我醒来 会是最幸福的女孩

会是最幸福的女孩

微笑跟心痛说拜拜

暗翼之歌

像红色玫瑰美丽的的绽放,又像这月光神秘无线

如果就是那最重要的生命,就让它在我手中绽放

ㄚ~黑暗的世界里,有散门现在就将要开启

将再一次把全部命运交拖给你

蜕变成美丽蝴蝶,闭上那双眼沉静的凝视星空,

在深夜进行的化装舞会,现在悄悄的墬落在黑暗中

来吧我和你!不要害怕勇敢向前

永远不放弃我们的希望

穿梭飞跃过 寒冷的风中

摇曳在你和我的这瞬间

不会再想起 回忆的过去

忘记令人深刻的爱情

黑暗的世界里

刻划出我们的这崭新时刻

为了谁在伤心流泪忘记一切

不要再烦恼哭泣

闭上那双眼沉静的凝视星空

在未来有梦呼唤的声音

现在悄悄的坠落在黑暗中

来吧我和你 紧握住飞翔的翅膀

就要完成那永远的希望

现在悄悄的坠落在黑暗中

闭上那双眼沉静的凝视星空

现在悄悄的坠落在黑暗中

Splash Dream

浪花的游戏 拍打不同的旋律 满满飞扬的感情 就像水汪汪的眼睛

满天的星星 串成爱情的Messge 限时挂号我的心 储存能量永无止尽

生命充满著奇迹 坚持对爱的相信 Splash Dream 祈祷像箭一样的飞行

跨越海洋也超越陆地 将我们的爱慢慢变成透明 Splash Dream

眼眸透著那片 Splash Dream 不想再错过我和你 坚定不移地

存粹的爱情

Splash Dream 约好在天堂乐园相遇 把浪花踢成一条心型

让天为我们见证 坚定的心 Splash Dream 微笑是我的热情Big Wave

想为你唱一首歌曲 关与爱和你守护的歌曲 Splash Dream

祈祷像箭一样的飞行 跨越海洋也超越陆地 将我们的爱慢慢变成透明

Splash Dream 眼眸里透著那片 Splash Dream

不想再错过我对你 坚定不移地 纯粹的爱情

片尾曲2

思念是道光芒 围著白云绽放 许愿火孤单 这场梦依旧灿烂

那段时光 那段过往 心情摆汤 回忆两端 风还微凉 你在身旁

甜甜的占据夜晚 如果是你在我的心上 请你也停止悲伤

期待眼泪冲淡你的伤 我永远在你身旁

未来是种力量 微笑开始飞翔 奇迹让生命触动世界的勇敢

Rainbow Notes{片头曲2}) [这首歌是诺爱儿唱的]

透明的天空 有绚丽彩虹 地图还留在梦中 慢 慢的走

你一定会懂 那旋律在跳动 那 透著星光闪耀的歌

时间和脚步的节奏 超过心跳 超过笑容 有时呼吸 有时停留

趁著间奏 找回那时的感动 相信我比谁都执著

当命运考验真心出走 带著哀愁 带著心痛 挥一挥手 连接快乐

风雨后的天 那样的美 缤纷的彩虹 延续千年万年

流下的眼泪 悄悄流入海水 打开你心扉

七色的绚烂 有七道光芒 反射遥远的海角 平静喧闹

你一定知道 还真心的祈祷 让全世界为爱骄傲

夏天的形状 就像珊瑚礁 尽管跟美丽摇摆 画惊叹号

你一定知道 它其实很微妙 让全世界为真爱微笑

Kizuna{阿克拉雷之娜女神给的新歌2}

{前半段}

晴空被孤立在黑夜 不断被扩大毫无设限 不需要 感觉

平静又清澈的海面 被阳光折射后的意念 不轻易 改变

张开眼就能看得见 不需要参考太多意见 相信自己会通过考验

记住这点 想要听就能听得见 真相需要自己去发现

太多杂念 杜绝伤悲 感受心中的快乐全神贯注

默契让你和我不再感觉孤独 没有人能更清楚 我对你有多在乎

你的微笑吐露对我的归属 命运的牵引用爱碰触

奇迹让你和我勇敢面对痛苦 无论会有多辛苦 无论有多少冲突

默契让有情更加坚定

{后半段}

孤独和不安的黑影 不知不觉再黑影到映 我要去 哪里

我的心逐渐的平静 不闪烁也开始不逃避 完全的 放心

那双眼泄漏了疲倦 走不出那忧郁的世界 怀疑是种莫名的火焰

无法熄灭 什麼时候开始改变 眼泪代表某一种喜悦

痛苦伤悲决定忽略 感觉完全的虚无感觉不出

默契是你和我唯一爱的出路 这是生命的进出 只是早已迷了路

你的微笑永远在我的心深处 命运的牵引尽是迷雾

未来还有多少考验我不清楚 默契已根深蒂固 心和力相约守护

我知道你是我的幸福 我能看见你的伤悲 即使你的沉默我也能了解

我能感受你的喜悦 这份爱抵得住任何离别 相亲相爱互相安慰

七个人的心能突破重围 无论多恐惧 爱让我们更坚强 更努力

感受心中的快乐全神贯注 默契让你和我不再感觉孤独

没有人能更清楚 我对你有多在乎 你的微笑吐露对我的归属

命运的牵引用爱碰触 奇迹让你和我勇敢面对痛苦

无论会有多辛苦 无论有多少冲突 默契让有情更加坚定

七大海洋的故事

在那七色海洋的那(～)一端阳光闪闪发亮

神秘永远的乐园里面传说中的美丽故事

天空蔚蓝展翅飞翔的鸟儿我们一起寻找

用(～)把我们的梦想继承去远方

看那神秘的海湾里藏着一份秘密宝藏的地图

从来没有人看过的夜空 那(～)唯一的星星闪闪发光

七彩缤纷 海洋的那美丽故事就从这里慢慢开始

你看奇迹一直不断在出现我们一定会相遇

我们就要完成那遥远的地图来到大人成熟世界

我们的心秘密爱的宝箱songs of mermaid

MOTHER SYMPHONY

看流星满天 飞舞 闪闪的散发光芒

全部生命慢慢苏醒 找寻那美丽深处美丽园地

为世界和平 努力排遣所有的纷争

受伤的心 那破碎的 小小愿望 要继续完成

那些憎恨爱的人们呀

那些污染海的人们呀

都要一起 我们从同样的爱重新的诞生

单纯的灵魂 坚强的自尊

light up 勇往向前

就在那里奇迹的旋律

诞生我们幸福温暖的歌曲

所有的爱尽力去呵护

悲伤的小心灵

唱出我们爱的摇篮曲

就像妈妈充满温暖的交响曲

绿色的风

还有那蔚蓝海水般的音符

我想要永远好好的守护不变

单纯的灵魂 坚强的自尊

light up 勇往向前

就在那里奇迹的旋律

诞生我们幸福温暖的歌曲

所有的爱尽力去呵护

悲伤的小心灵

唱出我们爱的摇篮曲

就像妈妈充满温暖的交响曲

Piece of love

有一天我们的愿望,会实现不用在旁徨

解开我对爱情迷惑的心,想念著摇动著感觉到心痛

有谁能看透我的心,深藏著

悲伤的回忆,不知道

为何传达到你的心,彷佛是

最深爱的人,陪伴在我身边

虽然我很渺小,天空没有星星

诞生出最美丽的爱,照亮世界

如果害怕失败,就没有勇气

努力的向前去

我向月亮祈祷,我向星星祈祷

未来的路将要刻划在我心中

温热我的眼泪就会是那曙光

我命运中的 Picec of love

邂逅我的心那 Piece of heart

呼呼~~~~~累死了，希望你能满意

机械振动

mechanical

vibration

简谐振动

simple

harmonic

oscillation

振幅

amplitude

周期

period

频率

ferquency

赫兹

hertz

单摆

simple

pendulum

受迫振动

forced

vibration

共振

resonnance

机械波

mechanical

wave

介质

medium

横波

transverse

wave

纵波

longitudinal

wave

波长

wavelength

超声波

supersonic

wave

阿伏加德罗常数

Avogadro

constant

布朗运动

Brown

mation

热运动

thermal

motion

热力学能

thermal

energy

内能

internal

energy

热力学第一定律

first

law

of

thermodynamics

能量守恒定律

law

of

conservation

of

energy

热力学第二定律

second

law

of

thermodynamics

各向同性

isotropy

各向异性

anisotropy

单晶体

single

crystal(monocrystal)

多晶体

ploycrystal

表面张力

surface

tension

毛细现象

capillarity

液晶

liquid

crystal

电荷

electric

charge

电荷量

queantity

df

electricity

正电荷

positive

charg

负电荷

negative

charg

库仑定律

Coulomb

law

静电感应

electrostatic

induction

感应电荷

inducde

charge

元电荷

elementary

charge

电荷守恒定律

law

of

conservation

of

charge

库仑（电荷单位）

coulomb

电场

electric

fileld

电场强度

electric

field

strength

电场线

electric

potential

电势

electric

potential

电势差/电压

electric

potential

difference

伏特

volt

电容

capacitance

电容器

capacitor

法拉（电容单位）

farad

电流

electric

current

安培（电流单位）

ampere

电阻

resistance

欧姆（电阻单位）

ohm

电动势

electormotive

force(emf)

半导体

semiconductor

超导体

superconductor

磁性

magnetism

磁场

magnetic

field

磁感线

magnetic

induction

line

安培定则

Ampere

rule

安培力

Ampere

force

磁感应强度

magnetic

induction

左手定则

left-hand

rule

洛伦兹力

Lorentz

force

磁通量

magnetic

flux

电磁感应

elctromagnetic

induction

感应电流

induction

current

感应电动势

induction

electromotive

force

电磁感应定律

law

of

electromagnetic

induction

右手定则

right-hand

rule

自感

self-induction

交流

alternating

current

瞬时值

instantaneous

value

峰值

peak

value

有效值

effective

value

电感

inductance

变压器

transformer

电能

electric

energy

电磁场

electromagnetic

field

电磁波

electromagnetic

wave

雷达

radar

光线

light

ray

平行光

parallel

light

实象

real

image

虚象

virtual

image

折射

refaction

入射角

incident

angle

反射角

reflection

angle

折射角

diffraction

angle

折射率

diffraction

index

全反射

total

reflection

临界角

critical

angle

光导纤维

optical

fiber

棱镜

prism

色散

dispersion

光谱

spectrum

波的衍射

diffraction

of

wave

波的干涉

interference

of

waves

红外线

infrared

ray

紫外线

ultraviolet

ray

X射线

X-ray

电磁波谱

electromagnetic

effect

光电效应

photoelectric

effect

光子

photon

普朗克常数

Planck

constant

波粒二象性

wave-particle

duality

概率波

probability

wave

物质波

matter

wave

激光

laser

电子

electron

质子

proton

中子

neutron

核子

nucleon

同位数

isotope

原子核

nucleus

能级

energy

level

基态

ground

state

激发态

excited

state

跃迁

transition

放射性

radioactivity

α射线

α

ray

β射线

β

ray

γ射线

γ

ray

衰变

decay

核反应

nuclear

reaction

核能

nuclear

energy

质能方程

mass-energy

equation

裂变

fission

链式反应

chain

reaction

聚变

fusion

热核反应

thermonuclear

reaction

介子

meson

轻子

lepton

强子

hadron

(1)基本子音及元音音节表

基本子音及元音音节表：

子音(右)

-----------

元音(下) b p bh m d t l n g k gh ng z c s r h 零声母

a ba pa bha ma da ta la na ga ka gha nga za ca sa ra ha a

e be pe bhe me de te le ne ge ke ghe nge ze ce se re he e

i bi pi bhi mi di ti li ni gi ki ghi ngi zi ci si ri hi i

o bo po bho mo do to lo no go ko gho ngo zo co so ro ho o

u bu pu bhu mu du tu lu nu gu ku ghu ngu zu cu su ru hu u

or bor por bhor mor dor tor lor nor gor kor ghor ngor zor cor sor ror hor or

(2)单纯与鼻声尾韵元音节表

单纯与鼻声尾韵母音节表：

星号()表示没有闽南语此音字词。

请将表内汉字发为闽南语音，部分汉字发音可能须使用闽南语文白异读的方法来朗读。

子音

------

元音 b p bh m d t l n g k gh ng z c s r h 零声母

a ba

爸

pa

帕

bhǎ

麻

ma

妈

da

干

tâ

挓

lǎ

蜊

nà

那

ga

家

ka

脚

ghǎ

牙

ngà

雅

zà

早

cà

炒

sa

栅

ha

下

a

阿

e bē

父

pĕ

皮

bhē

卖

mē

骂

dē

地

tè

体

lè

礼

nĕ

晾

ge

鸡

ke

溪

ghē

艺

ngē

硬

zē

坐

ce

初

sè

洗

hē

系

ĕ

鞋

i bì

比

pi

披

bhì

美

mĭ

棉

dī

弟

tì

耻

lì

你

nĭ

年

gi

机

ki

欺

ghī

义

ngĭa

迎

zi

芝

cī

市

sī

是

rī

字

hì

喜

i

伊

o bō

部

pò

普

bhō

贸

mo

毛

dō

度

tò

土

lō

路

nò

老

go

姑

kò

苦

ghō

五

ngŏ

吴

zo

组

co

初

so

蔬

hō

雨

o

乌

u bŭ

孵

pŭ

浮

bhù

舞

dŭ

厨

tŭ

储

lù

旅

gu

龟

ku

区

ghŭ

牛

zu

书

cù

取

su

输

rŭ

如

hù

府

u

污

ai bâi

拜

pâi

派

bhăi

眉

mâi

勿

dăi

台

tai

台

lăi

来

nāi

荔

gai

该

kai

开

ghăi

涯

ngāi

碍

zăi

财

cai

猜

sai

狮

hài

海

ai

哀

au bau

包

pàu

跑

bhàu

卯

māu

貌

dău

投

tău

头

lāu

老

nàu

脑

gau

沟

kàu

口

ghău

爻

ngāu

藕

zàu

走

cau

***

sâu

扫

hāu

效

au

欧

or bòr

保

pōr

抱

bhōr

帽

dōr

道

tòr

讨

lōr

劳

nor

娜

gor

高

kor

科

ghŏr

鹅

zòr

枣

còr

草

sòr

嫂

hòr

好

or

呵

ia miă

名

dia

爹

lià

惹

niă

娘

giâ

寄

kiă

骑

ghiă

夯

ngiă

迎

zià

者

cia

车

sia

赊

rià

惹

hiā

瓦

ià

野

ior biòr

表

pior

票

bhiòr

秒

dior

钓

tior

粜

liŏr

撩

giŏr

桥

kiòr

口

ghiŏr

蛲

ziòr

少

cior

笑

sior

烧

riōr

尿

hiōr

后

ior

腰

io hionn

香

iu biu

彪

bhiū

谬

diŭ

绸

tiu

抽

liŭ

流

niŭ

娘

giŭ

球

kiu

鸠

ghiù

扭

ziù

酒

ciu

秋

siu

修

riŭ

柔

hiu

休

iu

油

ua bûa

簸

pûa

破

bhŭa

磨

mùa

满

dūa

大

tua

拖

lūa

赖

nūa

烂

gua

歌

kua

夸

ghùa

我

ngua zùa

纸

cûa

蔡

sua

沙

rūa

偌

hua

花

ua

娃

uai mūai

妹

guai

乖

kuai

快

zūai

跩

cuai suai hŭai

怀

uai

歪

ue bue

杯

pue

批

bhùe

尾

dūe

地

tûe

退

lūe

内

gue

瓜

kue

诙

ghūe

外

zūe

罪

cue

吹

sue

衰

rūe

睿

hue

花

ue

锅

ui bŭi

肥

pui

屁

bhui

眯

mùi

每

dūi

队

tùi

腿

lūi

类

nūi

卵

gui

规

kui

亏

ghūi

伪

zui

锥

cui

推

sŭi

随

rui hui

辉

ui

威

am dăm

谈

tam

贪

lăm

南

gam

甘

kam

堪

ghăm

岩

zām

站

cam

参

sam

杉

hām

陷

am

庵

iam diâm

店

tiam

添

liām

念

giam

兼

kiam

谦

ghiăm

严

ziam

针

ciam

签

siàm

闪

riàm

染

hiàm

险

iam

阉

im dĭm

沉

tim

鸩

lĭm

林

gim

金

kĭm

琴

ghĭm

吟

zìm

婶

cim

深

sim

心

rìm

忍

hĭm

熊

im

音

om dom som

参

om

an ban

班

pàn

板

bhān

万

dan

单

tân

趁

làn

咱

gan

奸

kan

刊

ghān

谚

zan

曾

can

餐

san

山

hān

限

an

安

ian/en ben

编

pen

偏

bhèn

免

dēn

电

ten

天

lĕn

连

gen

坚

ken

牵

ghèn

研

zen

煎

cèn

浅

sen

仙

rĕn

然

hēn

现

en

烟

in bin

宾

pìn

品

bhĭn

民

dīn

阵

tīn

媵

lìn

恁

gin

斤

kin

轻

ghĭn

银

zin

真

cin

亲

sin

新

rĭn

人

hīn

恨

in

因

uan buan

般

pŭan

磐

bhùan

满

duan

端

tŭan

团

lŭan

恋

guan

关

kùan

款

ghŭan

源

zuan

专

cuan

川

sùan

选

ruan huan

番

uan

湾

un bùn

本

pŭn

盆

bhŭn

文

dŭn

唇

tun

吞

lūn

论

gun

军

kun

鲲

ghùn

阮

zun

尊

cun

春

sun

孙

rūn

闰

hun

婚

un

恩

ang băng

房

pang

蜂

bhāng

望

dang

东

tang

窗

lăng

人

gang

江

kang

空

ghāng

楞

zăng

丛

cang

葱

sang

轻

hang

烘

ang

翁

iang biang

砰

piāng

庞

diāng

仗

tiang liăng

凉

giang kiang

铿

ghiang ziang

漳

ciang siăng

常

riang hiang

香

iang

殃

ing bing

冰

pĭng

评

bhĭng

明

dīng

定

tĭng

停

lĭng

灵

ging

京

king

框

ghĭng

迎

zĭng

情

cing

清

sing

生

rĭng

仍

hing

兴

ing

英

iong diong

中

tiông

畅

liŏng

良

giong

弓

kiòng

恐

ghiong ziong

将

ciong

冲

siŏng

祥

riŏng

绒

hiong

香

iong

央

ong bòng

榜

pông

膨

bhōng

望

dòng

党

tòng

统

lòng

拢

gong

公

kong

空

ghōng

戆

zong

宗

cong

聪

song

霜

hong

风

ong

汪

uang uang

嚾

[编辑] (3)半鼻音与促音鼻化音节表

半鼻音(nn)与促音鼻化音节表：

星号()表示没有闽南语此音字词。

请将表内汉字发为闽南语音，部分汉字发音可能须使用闽南语文白异读的方法来朗读。

子音

------

元音 b p bh m d t l n g k gh ng z c s r h 零声母

m hm

媒

m

姆

ng bñg

饭

bhūn

问

mňg

门

dng

当

tng

汤

lng nñg

卵

gng

光

kñg

劝

zng

庄

cng

疮

sng

酸

hng

方

ňg

黄

ann pânn

怕

dann

担

tann

他

gann

监

kann

坩

zànn

斩

sann

三

hànn

吓

ānn

馅

enn bēnn

病

penn

澎

dēnn

郑

tenn gen

更

ken

坑

zenn

井

cenn

青

senn

生

henn enn

婴

inn binn

边

pīnn

鼻

dinn

甜

tinn

天

ginn

见

kinn zinn

争

cinn

星

sĭnn

豉

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[编辑] 声调标示

台湾闽南语9个声调，及半鼻音标示表：

第1声调 第2声调 第3声调 第4声调 第5声调 第6声调 第7声调 第8声调 第9声调 半鼻音 轻声 零声母

高平调 高降调 低降调 中入调 低缓升调 降平调(6=2) 中平调 高入调 高升调

a à â āp,āt,āk,āh ă (6=2) ā ap,at,ak,ah á (ann)an ao

闽南语在台湾的大部分地区第2声调(à(aw)；高降调)同第6声调(á(aaw)；降平调)。

DT，GDT，SMLT，MLT，PSDB，TL(台罗拼音)，POJ，TLPA，KHDB，STTB，普闽典等声调符号对照表：

DT a ˋ(à) ^(â) ā(p,t,k,h) ˇ(ă) (6=2) -(ā) a(p,t,k,h) ˊ(á) ao

GDT av aw ax a(b,d,g,q) aa aaw a a(p,t,k,h) ay (aa) 零声母

SMLT af ar ax a(b,d,g,q) aa aar(6=2) a a(p,t,k,h ~

MLT af ar ax a(b,d,g,q) aa aar(6=2) a a(p,t,k,h) ~

PSDB af ar ax a(b,d,g,q) aa aar(6=2) a a(p,t,k,h) ~

TL2 a(a1) á(a2) à(a3) ak(a4) â(a5) á(6=2)(a6) ā(a7) ãk(a8) --(a0) 零声母

POJ a ˊ(á) ˋ(à) a(p,t,k,h) ^(â) ˊ(á)(6=2) -(ā) ã(p,t,k,h) -- 零声母

TLPA 1 2 3 4 5 6(6=2) 7 8 9 0 零声母

KHDB6 ax ar aw a(b,d,g,h) aa aar(6=2) a a(p,t,k,c)

STTB8 f,w,y ar ax a(p,t,k,h) av (6=2) ad a(pp--hh) aq --

周辨明式9 a ar ad a(p,t,k,h) aa (6=2) al a(pp--hh)

河洛字角7 - ˋ ^ 不标号 ˇ ~ 不标号 - ˊ (ä)

123台语10 a ˋ(à) ^(â) a ˇ(ă) (6=2) -(ā) (4=8) ˊ(á) 零声母

普闽典3 -(ā) ˇ(ǎ) ˋ(à) āk ˊ(á) ˇ(ǎ)(6=2) ^(â) ák

本调调值1 44 53 21 32 24 (6=2) 33 44 35 32

汉字台音4 君 滚 棍 骨 群 滚(6=2) 郡 滑 (红)红红 轻声 英

DT调名 高平调 高降调 低降调 中入调 低缓升调 降平调(6=2) 中平调 高入调 高升调 轻声 零声母

PSDB调名 高调 上突调 下突调 低促调 回旋调 回升调(6=2) 基调 高促调 轻声 零声母

英语调名

(tone)

high

even

high

falling

low

falling

mid

short

low

rising

falling

even

mid

even

high

short

high

rising

neutral glottal

explosive

汉语四声5 阴平 阴上 阴去 阴入 阳平 阳上(阳上变去) 阳去 阳入 高升 轻声 零声母

闽南语8声调表示图解：在台湾于大部分地区第6声调与第2声调类同，只在部分地区如鹿港等地仍保有原第6声调。注1：本调调值在此仅列为参考，因闽南语在不同的地区使用时于调值上会有些许的差异。而第6调本调调值在鹿港为(33)、于泉州为(22)。而零声母本调调值于鹿港为(55)、在宜兰为(22)。

注2：《台罗拼音》(TL)指《台湾闽南语罗马字拼音方案》[3]。

注3：《普闽典》指《普通话闽南方言辞典》[4]。

注4：汉字台音的档案(副档名为 ogg 的声音档案)下载后，请用Ogg Vorbis的格式播放软件收听。而此些声音档是维基百科允许置放的自由软件档案格式，无此等播放软件者可先下载安装 Audacity 或 GoldWave 等之Ogg播放软件（直接按右键下载即可）。

注5：闽南语阳上调(第6声调)分全浊音与次浊音，次浊音同阴上调(第2声调)常记之为(6=2)；而全浊音同阳去调(第7声调)谓之阳上变去。在GDT则第6声调(降平调)另行独立，而词素于较高升调之时用高升调(第9声调)来标示。

注6：KHDB(Henrdai qycc Kyhak ee Daigixbunn)即科学台文(现代又科学的台语文)[5]。

注7：(河洛字角)即(河洛字角--河洛话的表音文字)[6]，2005年始，为一语言实验计划。

注8：STTB即闪电台文[7]，是以白话字为基础之调号改革方案，采用合音节(合词)变调法。其第1调之调号有3个(f,w,y)，第5调之调号为(v)不重复元音，而第8调之调号a(pp--hh)即为a(pp,tt,kk,hh)之表示。

注9：周辨明式即1920年厦门大学教授周辨明博士所提出之白话字调号改革方案，第8调之调号a(pp--hh)即表示为a(pp,tt,kk,hh)之重复字母简缩式。。

注10：(123台语)为药剂师王启阳所提出以台语通用拼音为基础之拼音方案，基本上有7个声调。促声调之中入调(第4声调)与高入调(第8声调)合为一声调，另再增一上升调(第9声调)[8]。

合音节(合词)变调规则

闽南语为声调语言，连续变调为其基本特性。变调发生在两音节或三音节以上之合音节的字词结构里，但均以两音节变调为基础。闽南语的变调在两音节合词变调法则之3大类型中(1前变型,2后变型,3全变型)属于前变型，即两音节合词时前音节受到后音节的影响会产生变调，不过后音节会维持原调不变。一般变调无论在两音节或三音节以上时会遵循一定的规律进行变调过程，但也有一些特殊规则。

两音节基本变调规则(x+x)

闽南语变调之数字变化表示图解。基本声调：(7—>3—>2—>1—>7……；5—>7(3))，高入调：(8(p,t,k,h)—>3；8—>4)，中入调：(4(p,t,k)—>8；除阻(去掉h)4(h)—>2)。本调第5声调，变为第7声调。本调第7声调，变为第3声调。本调第3声调，变为第2声调。本调第2声调，变为第1声调。本调第1声调，变为第7声调，如此循环递进变调。如属于泉州口音，则本调第5声调，变为第3声调。(7—>3—>2—>1—>7……；5—>7(3))

本调第8声调其入声尾带“-p/-t/-k/-h”时，变后不除阻(不去掉p/t/k/h)成为第3声调。亦有少部分成为第4声调。(8(p,t,k,h)—>3；8—>4)

本调第4声调其入声尾带“-p/-t/-k”时，变后不除阻(不去掉p/t/k)成为第8声调；但如入声尾带“-h”时，变后除阻(去掉h)成为第2声调。(4(p,t,k)—>8；4(h)—>2)

尾音[a]化变调规则(x+a)

前音节为(5,7,3,2,1)其中任一声调时，如尾音[a]紧接在此音节之后，尾音[a]设为第2声调，而前音节照一般变调规则进行如：本调本调第5声调，变为第7声调。本调第7声调，变为第3声调。本调第3声调，变为第2声调。本调第2声调，变为第1声调。本调第1声调，变为第7声调，如此循环递进变调。如属于泉州口音，则本调第5声调，变为第3声调。(7—>3—>2—>1—>7……；5—>7(3))

前音节为入声第8声调时，如尾音[a]紧接在此音节之后，尾音[a]设为第2声调，前音节如为阳入声尾“-p/-t/-k”时，变后不除阻(不去掉p/t/k)成为第4声调；如为阴入声尾“-h”时，变后除阻(去掉h)成为第4声调。((8(p,t,k,h)—>4)+a(2))

前音节为入声第4声调时，如尾音[a]紧接在此音节之后，尾音[a]设为第2声调，前音节如为阳入声尾“-p/-t/-k”时，变后不除阻(不去掉p/t/k)成为第8声调；如为阴入声尾“-h”时，变后除阻(去掉h)成为第8声调。((4(p,t,k,h)—>8)+a(2))

尾音[a]表示为轻音时，[a]变为轻声调(第0声调)，前音节无论任一声调仍然维持原调不变。(x+a(0))

中音[a]化变调规则(x+a+x)

中音[a]表示[a]夹在前后两个音节中间，中音[a]变为第1声调，最后音节仍然维持原调不变，此时前音节无论任一声调只要按照两音节基本变调规则来变调即可。(x+a(1)+x)

尾音[e]化变调规则(x+e)

尾音[e]前一音节为代名词时，尾音[e]设为第5声调，此时前音节之代名词须要按照两音节基本变调规则来变调即可。(x(代名词)+e(5))

尾音[e]前一音节为普通名词时，尾音[e]设为第5声调，前音节之普通名词无论为任一声调仍然维持原调不变。(x(普通名词)+e(5))

尾音[e]表示为轻音时，尾音[e]变为轻声调(第0声调)，前音节无论任一声调仍然维持原调不变。(x+e(0))

中音[e]化变调规则(x+e+x)

中音[e]表示[e]夹在前后两个音节中间，中音[e]变为第7声调，最后音节仍然维持原调不变，此时前音节无论任一声调只要按照两音节基本变调规则来变调即可。(x+e(7)+x)

形容词三重叠变调规则(x+x+x)

形容词三重叠变调规则

名词三重叠变调规则(x+x+x)

名词三重叠变调规则

动词三重叠变调规则(x+x+x)

动词三重叠变调规则

多音节词组变调规则(x+x+x；x+x+x+x；……)

多音节词组变调规则

降平调(第6声调)语音特性功能之变迁

闽南语阳上调(第6声调)分全浊音与次浊音，次浊音同阴上调(第2声调)常记之为(6=2)；而全浊音同阳去调(第7声调)谓之阳上变去。在GDT则第6声调(降平调)另行独立，而词素于较高升调之时用高升调(第9声调)来标示。

“…现代闽南语八音齐全的只有泉州方言、潮州方言，其他的方言都不全了。闽南语漳州系方言普遍地只有七音，缺阳上。泉州《汇音妙悟》记载著八个声调，所谓“八音”是齐全的。但泉州方言的“八音”系统也早已开始崩溃，同安方言只有七音，缺阳上(张屏生1996:196)；惠安方言只有七音，缺阳上(钟露升1965)；德化(盖德)方言也只有七音，缺阳上(Crosland 1996)……。一个普遍的趋势是阳上、阳去混同，也就是俗所谓的“浊上归去”。…”(洪惟仁，《台湾闽南语声调的演变潮流：一个社会方言学的调查研究》，台湾元智大学中国语文学系)

高升调(第9声调)语音特性与功能

高升调(第9声调)语音特性与功能

轻声语音特性与功能

轻声语音特性与功能

零声母语音特性与功能

零声母语音特性与功能

除上述规则外，亦有部分合字词的变调会有所不规则的音变，关于此点字词典上会个别的加以注明解说。

Receiver (radio)

A radio receiver is an electronic circuit that receives its input from an antenna, uses electronic filters to separate a wanted radio signal from all other signals picked up by this antenna, amplifies it to a level suitable for further processing, and finally converts through demodulation and decoding the signal into a form usable for the consumer, such as sound, pictures, digital data, measurement values, navigational positions, etc

In consumer electronics, the terms radio and radio receiver are often used specifically for receivers designed for the sound signals transmitted by radio broadcasting services – historically the first mass-market radio application

Various types of radio receivers may include:

Consumer audio and high fidelity audio receivers and AV receivers used by home stereo listeners and audio and home theatre system enthusiasts

Communications receivers, used as a component of a radio communication link, characterized by high stability and reliability of performance

Simple crystal radio receivers (also known as a crystal set) which operate using the power received from radio waves

Satellite television receivers, used to receive television programming from communication satellites in geosynchronous orbit

Specialized-use receivers such as telemetry receivers that allow the remote measurement and reporting of information

Measuring receivers (also: measurement receivers) are calibrated laboratory-grade devices that are used to measure the signal strength of broadcasting stations, the electromagnetic interference radiation emitted by electrical products, as well as to calibrate RF attenuators and signal generators

Scanners are specialized receivers that can automatically scan two or more discrete frequencies, stopping when they find a signal on one of them and then continuing to scan other frequencies when the initial transmission ceases They are mainly used for monitoring VHF and UHF radio systems

In the context of home audio systems, the term "receiver" often refers to a combination of a tuner, a preamplifier, and a power amplifier all on the same chassis Audiophiles will refer to such a device as an integrated receiver, while a single chassis that implements only one of the three component functions is called a discrete component Some audio purists still prefer three discreet units - tuner, preamplifier and power amplifier - but the integrated receiver has, for some years, been the mainstream choice for music listening The first integrated stereo receiver was made by the Harman Kardon company, and came onto the market in 1958 It had undistinguished performance, but it represented a breakthrough to the "all in one" concept of a receiver, and rapidly improving designs gradually made the receiver the mainstay of the marketplace Many radio receivers also include a loudspeaker

Hi-Fi / Home theater

Today AV receivers are a common component in a high-fidelity or home-theatre system The receiver is generally the nerve centre of a sophisticated home-theatre system providing selectable inputs for a number of different audio components like turntables, compact-disc players and recorders, and tape decks ( like video-cassette recorders) and video components (DVD players and recorders, video-game systems, and televisions)

With the decline of vinyl discs, modern receivers tend to omit inputs for turntables, which have separate requirements of their own All other common audio/visual components can use any of the identical line-level inputs on the receiver for playback, regardless of how they are marked (the "name" on each input is mostly for the convenience of the user) For instance, a second CD player can be plugged into an "Aux" input, and will work the same as it will in the "CD" input jacks

Some receivers can also provide signal processors to give a more realistic illusion of listening in a concert hall Digital audio S/PDIF and USB connections are also common today The home theater receiver, in the vocabulary of consumer electronics, comprises both the 'radio receiver' and other functions, such as control, sound processing, and power amplification The standalone radio receiver is usually known in consumer electronics as a tuner

Some modern integrated receivers can send audio out to seven loudspeakers and an additional channel for a subwoofer and often include connections for headphones Receivers vary greatly in price, and support stereophonic or surround sound A high-quality receiver for dedicated audio-only listening (two channel stereo) can be relatively inexpensive; excellent ones can be purchased for $300 US or less Because modern receivers are purely electronic devices with no moving parts unlike electromechanical devices like turntables and cassette decks, they tend to offer many years of trouble-free service In recent years, the home theater in a box has become common, which often integrates a surround-capable receiver with a DVD player The user simply connects it to a television, perhaps other components, and a set of loudspeakers

Portable radios

Portable radios include simple transistor radios that are typically monoaural and receive the AM, FM, and/or short wave broadcast bands FM, and often AM, radios are sometimes included as a feature of portable DVD/CD, MP3 CD, and USB key players, as well as cassette player/recorders

AM/FM stereo car radios can be a separate dashboard mounted component or a feature of in car entertainment systems

A Boombox (or Boom-box)—also sometimes known as a Ghettoblaster or a Jambox, or (in parts of Europe) as a "radio-cassette"—is a name given to larger portable stereo systems capable of playing radio stations and recorded music, often at a high level of volume

Self-powered portable radios, such as clockwork radios are used in developing nations or as part of an emergency preparedness kit

History of radio receivers

Early development

While James Clerk Maxwell was the first person to prove electromagnetic waves existed, in 1887 a German named Heinrich Hertz demonstrated these new waves by using spark gap equipment to transmit and receive radio or "Hertzian waves", as they were first called

The world’s first radio receiver (thunderstorm register) was designed by Alexander Stepanovich Popov, and it was first seen at the All-Russia exhibition in 1896 He was the first to demonstrate the practical application of electromagnetic (radio) waves,although he did not care to apply for a patent for his invention

A device called a coherer became the basis for receiving radio signals The first person to use the device to detect radio waves was a Frenchman named Edouard Branly, and Oliver Lodge popularised it when he gave a lecture in 1898 in honour of Hertz Lodge also made improvements to the coherer Guglielmo Marconi believed that these new waves could be used to communicate over great distances and made significant improvements to both radio receiving and transmitting apparatus In 1895 Marconi demonstrated the first viable radio system, leading to transatlantic radio communication in December 1901

John Ambrose Fleming's development of an early thermionic valve to help detect radio waves was based upon a discovery of Thomas Edison's (called "The Edison effect", which essentially modified an early light bulb) Fleming called it his "oscillation valve" because it acted in the same way as water valve in only allowing flow in one direction While Fleming's valve was a great stride forward it would take some years before thermionic, or vacuum tube technology was fully adopted

Around this time work on other types of detectors started to be undertaken and it resulted in what was later known as the cat's whisker It consisted of a crystal of a material such as galena with a small springy piece of wire brought up against it The detector was constructed so that the wire contact could be moved to different points on the crystal, and thereby obtain the best point for rectifying the signal and the best detection They were never very reliable as the "whisker" needed to be moved periodically to enable it to detect the signal properly

Valves

An American named Lee de Forest, a competitor to Marconi, set about to develop receiver technology that did not infringe any patents to which Marconi had access He took out a number of patents in the period between 1905 and 1907 covering a variety of developments that culminated in the form of the triode valve in which there was a third electrode called a grid He called this an audion tube One of the first areas in which valves were used was in the manufacture of telephone repeaters, and although the performance was poor, they gave significant improvement in long distance telephone receiving circuits

With the discovery that triode valves could amplify signals it was soon noticed that they would also oscillate, a fact that was exploited in generating signals Once the triode was established as an amplifier it made a tremendous difference to radio receiver performance as it allowed the incoming signals to be amplified One way that proved very successful was introduced in 1913 and involved the use of positive feedback in the form of a regenerative detector This gave significant improvements in the levels of gain that could be achieved, greatly increasing selectivity, enabling this type of receiver to outperform all other types of the era With the outbreak of the First World War, there was a great impetus to develop radio receiving technology further An American named Irving Langmuir helped introduce a new generation of totally air-evacuated "hard" valves H J Round undertook some work on this and in 1916 he produced a number of valves with the grid connection taken out of the top of the envelope away from the anode connection

Autodyne and superheterodyne

By the 1920s, the tuned radio frequency receiver (TRF) represented a major improvement in performance over what had been available before, it still fell short of the needs for some of the new applications To enable receiver technology to meet the needs placed upon it a number of new ideas started to surface One of these was a new form of direct conversion receiver Here an internal or local oscillator was used to beat with the incoming signal to produce an audible signal that could be amplified by an audio amplifier

H J Round developed a receiver he called an autodyne in which the same valve was used as a mixer and an oscillator, Whilst the set used fewer valves it was difficult to optimise the circuit for both the mixer and oscillator functions

The next leap forward in receiver technology was a new type of receiver known as the superheterodyne, or supersonic heterodyne receiver A Frenchman named Lucien Levy was investigating ways in which receiver selectivity could be improved and in doing this he devised a system whereby the signals were converted down to a lower frequency where the filter bandwidths could be made narrower A further advantage was that the gain of valves was considerably greater at the lower frequencies used after the frequency conversion, and there were fewer problems with the circuits bursting into oscillation

The idea for developing a receiver with a fixed intermediate frequency amplifier and filter is credited to Edwin Armstrong Working for the American Expeditionary Force in Europe in 1918, Armstrong thought that if the incoming signals were mixed with a variable frequency oscillator, a low frequency fix tuned amplifier could be used Armstrong's original receiver consisted of a total of eight valves Several tuned circuits could be cascaded to improve selectivity, and being on a fixed frequency they did not all need to be changed in line with one another The filters could be preset and left correctly tuned Armstrong was not the only person working on the idea of a superhet Alexander Meissner in Germany took out a patent for the idea six months before Armstrong, but as Meissner did not prove the idea in practice and did not build a superhet radio, the idea is credited to Armstrong

The need for the increased performance of the superhet receiver was first felt in America, and by the late 1920s most sets were superhets However in Europe the number of broadcast stations did not start to rise as rapidly until later Even so by the mid 1930s virtually all receiving sets in Europe as well were using the superhet principle In 1926 the tetrode valve was introduced, and enabled further improvements in performance

War and postwar developments

In 1939 the outbreak of war gave a new impetus to receiver development During this time a number of classic communications receivers were designed Some like the National HRO are still sought by enthusiasts today and although they are relatively large by today's standards, they can still give a good account of themselves under current crowded band conditions In the late 1940s the transistor was discovered Initially the devices were not widely used because of their expense, and the fact that valves were being made smaller, and performed better However by the early 1960s portable transistor broadcast receivers (transistor radios) were hitting the market place These radios were ideal for broadcast reception on the long and medium wave bands They were much smaller than their valve equivalents, they were portable and could be powered from batteries Although some valve portable receivers were available, batteries for these were expensive and did not last for long The power requirements for transistor radios were very much less, resulting in batteries lasting for much longer and being considerably cheaper

Semiconductors

Further developments in semiconductor technology led to the introduction of the integrated circuit in the late 1950s This enabled radio receiver technology to move forward even further Integrated circuits enabled high performance circuits to be built for less cost, and significant amounts of space could be saved

As a result of these developments new techniques could be introduced One of these was the frequency synthesizer that was used to generate the local oscillator signal for the receiver By using a synthesizer it was possible to generate a very accurate and stable local oscillator signal Also the ability of synthesizers to be controlled by microprocessors meant that many new facilities could be introduced apart from the significant performance improvements offered by synthesizers

Digital technologies

Receiver technology is still moving forward Digital signal processing where many of the functions performed by an analog intermediate frequency stage can be performed digitally by converting the signal to a digital stream that is manipulated mathematically is now widespread The new digital audio broadcasting standard being introduced can only be used when the receiver can manipulate the signal digitally

While today's radios are miracles of modern technology, filled with low power high performance integrated circuits crammed into the smallest spaces, the basic principle of the radio is usually the superhet, the same idea which was developed by Edwin Armstrong back in 1918

工作忙，学习累，很多人现在都处于亚健康状态。我们要怎么做才能让身体有活力、保持健康呢？看看下面对话里的两个人怎么说吧。

A: Hi, how’s everything

B: Not so good I went to the doctor for a check up, and he told me I have to eat better and exercise more

A: It’s important to eat well Do you eat lots of salads or vegetables

B: I sometimes eat salads, but not often However, I eat vegetables almost everyday Potato chips are made from potatoes; that’s a vegetable, right

A: That’s not very healthy Do you take vitamins

B: I have vitamins at home and I take them off and on, but I often forget

A: How about green tea It’s good for your health!

B: I drink it once in a while, but I prefer coffee Is that healthy

A: It’s not very nutritious Maybe you should exercise It’s good to be active How often do you exercise now

B: I never go to a gym It’s too expensive

A: Okay, how about running or jogging How often do you jog

B: I occasionally run to catch the bus, but not often, maybe once a month

A: I see How about walking How often do you go for a brisk walk

B: I go for a leisurely walk after dinner when the mood strikes me, maybe twice a month, but I almost never take a long, brisk walk I have no time

A: I see How about swimming It’s good for you Do you swim

B: I used to swim all the time, but now I seldom go swimming, maybe once a year if friends with a pool invite me

A: How about push-ups or aerobics at home Do you do that sometimes

B: Every year, I tell myself to start, but I only do it once in a blue moon, when my jeans get too small, maybe every six months I use a hula hoop

A: How about housework That’s good exercise, too

B: I clean my house now and then, maybe once a month!

Vocabulary

1 troublesome: 令人烦恼的，困难麻烦的。

2 adverbs of frequency: 表频率的副词。

3 gym: 〈口〉健身房，体育馆。

4 push-up: 俯卧撑。

5 aerobics: 有氧运动。

6 hula hoop: 呼拉圈。

Usage Tips

1 在本对话中，有很多表示“时间频率”的词，如文中出现的once in a while, now and then, occasionally, 它们的时间频率都比sometimes（有时）这个词要低一些。而once in a blue moon则指“难得有一次，极为罕见”，其中blue moon在口语中是“很长的一段时间，很久”的意思，如：I haven’t seen you in a blue moon（我很久都没看见你了。）另外，如果你想表达否定的意思，可以用seldom, rarely或not often。

2 leisurely可作形容词，如：a leisurely walk（悠闲的步行），也可作副词，如：walk leisurely，但常被当作形容词来用。该词强调的是一种轻松自在的感觉，同时还有一层享受的意味在里面。如：I usually eat breakfast fast, but on Sundays I have a leisurely breakfast 形容词brisk的副词是briskly，是“轻快的，敏捷的”之意，如：a brisk walk（轻快的步伐），a brisk wave（轻快的挥手），a brisk hello (轻快的打招呼)；在用该词形容风时，则是指“凛冽的”，如：a brisk breeze（疾风）。

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